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Two Ways to View Our Show

1. In-Person at the Martha B. Knoebel Dance Theater: Concert Has Ended
2. Encore Presentation of the Online Live Stream from March 14th: (available until 11:59 PM April 7th).
   • This recording has the Original Presentation Audio, Audio Description, and Closed Caption options.

Áù¾ÅÉ«Ìà DANCE IN CONCERT
CELEBRATING 30 YEARS IN THE DANCE CENTER
a concert of original choreography by Áù¾ÅÉ«Ìà Dance Faculty,
March 13-16, 2024
at the Áù¾ÅÉ«Ìà Martha B. Knoebel Dance Theater

Áù¾ÅÉ«Ìà Dance in Concert features new and restaged work by four Áù¾ÅÉ«Ìà full-time dance faculty and a premiere by Guest Choreographer and Áù¾ÅÉ«Ìà tap instructor Steve Zee.  Audiences can look forward to work in tap, collaborative post-modern, modern, house dance, and contemporary/jazz dance styles.  In the new tap work Grooves, Zee takes the core idea that tap dancers are musicians to its next logical place (after all, tap dance is a form of music and tap dancers make rhythm while they dance, so why just stop at feet?).  Dancers play through swing, funk, and samba grooves using a mix of choreography and improvisation.  Rebecca Bryant’s premiere, Criatura Remix: you’ll have to imagine the sheep y los lobos, shares movement excerpts from the latest multimedia piece in her Criatura series, investigating a range of somatic experiences along the spectrum of joining, assimilating, and fitting in.  The soundscore weaves original music by Don Nichols with prose and poetic/rhythmic text created by Bryant, oscillating between Spanish and English. The creation of Keith Johnson’s Baby is a combination of the unknown and chance games, inspired by the conceptual choices of Merce Cunningham, Trisha Brown, John Cage, and Marcel Duchamp.  Johnson created this work, presented alongside a new film by Áù¾ÅÉ«Ìà Dance's resident Filmmaker Gregory R.R. Crosby and a set by Technical Director Stephanie Losleben, to include artistic elements, including the music, that come together for the first time in performance.  Danzel Thompson-Stout’s Manifesting our Destiny extracts the multifaceted layers of house dance through an explosive experience that focuses on the power of community and the importance of individual expression.  The work strives to be an extension of what already exists in this cultural form, with roots in New York dance clubs, and shines light on an experience of marginalized people that created and continue to create a safe space of freedom and expression from ‘nothing’.  In Happily Frayed at the Seams (2011), choreographer Andrew Vaca and his dancers explore life as a series of pathways, where sometimes they need to step sideways in order to ultimately move forward.  This group dance in contemporary and jazz dance styles is dedicated to the late Susan McLain, a beloved member of the Áù¾ÅÉ«Ìà Dance faculty.

Performances of Áù¾ÅÉ«Ìà Dance in Concert—Celebrating 30 Years in the Dance Center are in the Martha B. Knoebel Dance Theater, just east of the Walter Pyramid on Atherton Street.  Tickets for March 13-15 at 8:00 PM and Saturday, March 16 at 2:00 PM are $25 for the general public and $16 for students, Áù¾ÅÉ«Ìà faculty/staff, and seniors.  For the March 16, 8:00 PM Gala Presentation, limited tickets are available at $35 general public and $25 students/Áù¾ÅÉ«Ìà faculty and staff/seniors. All tickets must be purchased online. Ticket sales are available until 30 minutes past the start of each show, or until sold out. Purchase tickets at .

$15 campus parking is available in Áù¾ÅÉ«Ìà Parking Lot G12, directly in front of the Carpenter Performing Arts Center, via parking kiosk (cards only) and the .

For show information or to discuss bringing a group to see the concert, contact Concert Director Andrew Vaca at Andrew.vaca@csulb.edu, or visit . For parking information, visit . To make donations to the Áù¾ÅÉ«Ìà Department of Dance and our Scholarship program, visit /dance and click on GIVE.

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Live Stream Program: Full Color PDF | Simple One Sheet

The Concert will also be streamed live via at 8 PM on Thursday, March 14. Tickets are $25 General and $16 students/Áù¾ÅÉ«Ìà faculty and staff/Seniors per stream.  Live stream video will be available to view through Sunday, March 17.

This broadcast utilizes five 4K cinema-quality cameras to transmit a network television experience to your home in High Definition. This is perfect for supporting the choreographers and performers of Áù¾ÅÉ«Ìà Dance while at home or on the go.

To access the streaming links, please visit the .

No Áù¾ÅÉ«Ìà Dance concert is complete without the invaluable collaborative efforts of our production team.  Technical Director Stephanie Losleben; Lighting Designer Stacy Fireheart; Costume Design Supervisor and Shop Manager Kelsey Vidic; Costume Technician Erika Hansen; Technology and Media Advisor/Live Stream Director Gregory R.R. Crosby; and Music Director Dr. Don Nichols have all contributed in multiple ways to the artistic excellence of these choreographic visions.